Font Licenses: A Complete Overview

Contents:

• Free Fonts
• Shareware Fonts
• Rental Fonts
• Subscription Fonts
• Main Types of Font Licenses
• What Other Types of Font Licenses Are There?
• What is a Bundle License?
• Does a design client need to purchase a font license?
• How Do Studios Track Who Has Used Their Fonts?

In Russia, there is an increase in lawsuits related to the illegal use of fonts. In most cases, the courts side with the licensor. In this text, we will consider font licenses in Russia, their features, and recommendations for choosing the right license type.

Font licenses are legal documents that define the terms of use of fonts. They can range from free to paid, each with its own limitations and rights. Choosing the right license is important for copyright compliance and avoiding legal consequences.

When choosing a license, it is important to consider factors such as the intended use of the font, the number of users, and the distribution location. Licenses may differ by type of use: personal, commercial, or educational. Understanding these nuances will help avoid font rights issues and ensure legal use in your projects.

Some companies inform clients and designers in advance of the consequences of infringing their rights. For example, the Artemy Lebedev Studio website has a section dedicated to legal proceedings, many of which are related to the illegal use of fonts. Paratype also informs about copyright protection on its website. These measures emphasize the importance of respecting intellectual property in the field of design and typography. Proper use of fonts and respecting copyright not only protects the interests of creators but also contributes to the qualitative development of the design industry.

To fully understand font licenses, it is important to carefully study the EULA, or end user license agreement. This document is an agreement between the owner or developer of the font and the user who intends to use it. Reading the EULA will help you avoid legal issues and ensure the correct use of fonts in your projects.

Attitudes toward font copyright protection vary across countries. In the United States, fonts are considered programs installed on a computer, reflecting the approach outlined in most EULAs. In Russia, by contrast, fonts are legally protected as software and as works of graphic art, underscoring the importance of legal protection in this area. This difference in approaches to font copyright has significant implications for designers and developers working in a global environment. Properly understanding the laws in each country helps avoid legal conflicts and ensures fair protection of intellectual property.

Ilya Ruderman, co-founder of type.today and tomorrow, played a vital role in the development of this material, sharing valuable insights in a lecture on font licenses. His experience and understanding of this topic have significantly enriched our content, making it more informative and useful for readers.

This article will provide information on key aspects of the topic, including fundamental principles, important factors, and practical recommendations. We will discuss how to effectively apply this knowledge in practice and avoid common pitfalls. Several examples and best practices for achieving successful results will also be presented. Read on to deepen your knowledge and improve your skills in this area.

• When fonts become free;
• Where to rent a font;
• What is a font subscription;
• How font licenses differ from each other;
• What is a bundle license;
• How to find out who the author of the font is and what license they installed for their development;
• In what cases should not only the designer but also their client purchase a license.

Free fonts

A font is not free, as its development requires costs. There are various ways to finance the font creation process.

One of the most famous examples is the Google Fonts collection. This platform provides the opportunity to use fonts in both personal and commercial projects. Google Fonts offers a wide selection of stylish and modern fonts, making it popular among web designers and developers. Users can easily integrate fonts into their websites, creating a unique and professional look.

Our collection includes the IBM Plex font family, created by the American company IBM as a free alternative to the well-known paid font Helvetica Neue. This font supports over 100 languages, including Cyrillic, making it a versatile solution for a variety of projects. IBM Plex is ideal for web and print design, providing a modern and readable look for text.

Fonts from the Google Fonts collection are distributed under the free SIL Open Font License and Apache License. The SIL Open Font License was designed specifically for fonts, ensuring their free use and modification. The Apache License covers not only fonts but also other types of software, giving users flexibility in use and distribution. This makes Google Fonts an excellent choice for web designers and developers seeking high-quality, legal fonts for their projects.

The Paratype collection features 12 free fonts that can be used with minimal restrictions. The only restrictions are reselling the fonts and saving modified files under the original name. These fonts are ideal for designers and developers looking to create a unique visual style without infringing copyright.

The Director of Paratype is responsible for the strategic direction and management of all aspects of the organization. Key responsibilities include developing and implementing business strategies, coordinating the work of various departments and ensuring effective communication between them. The Director is also involved in key decisions aimed at the company's development and growth, as well as in establishing partnerships with other organizations in the design and typography fields. Over the course of its existence, Paratype has established itself as a leading player in the typeface design market, and the Director's successful leadership is an important factor in achieving high results and strengthening the company's position.

Work on fonts always requires funding, which can come from both studios and third parties. For example, the PT Sans and PT Serif fonts were partially funded by Rospechat and partially by our studio. At the same time, the PT Root UI Paratype font set was entirely financed by us. This experience underscores the importance of investing in high-quality fonts to create unique and attractive design solutions.

Each font has its own unique story. The development of the Golos grotesque was initiated by the Smena company. Initially, the font was planned to be used exclusively for government websites, but this decision was later revised. As a result of our collaboration with Smena, we decided to distribute the Golos font free of charge, making it accessible to a wider audience and a variety of projects.

The Ambidexter font is available free of charge thanks to its designer, Egor Belozerov. This font draws attention with its unique stylistic interpretation and legibility, making it an ideal choice for a variety of projects. Free access to Ambidexter allows many users to use it in graphic design, web design, and print products, while maintaining a high level of quality and originality.

GitHub offers numerous free fonts from various studios, which their authors classify as open-source. These projects not only provide access to the final font files but also invite contributors from various language communities to join the development process to create multilingual fonts. This makes fonts more accessible and diverse, facilitating the integration of different writing systems and improving the quality of typography in projects across multiple languages.

Aspiring designers have the opportunity to share their fonts for free on social media in exchange for likes or reposts. However, it's worth noting that the quality of such fonts can sometimes leave much to be desired. Many users are looking for unique, high-quality fonts that can enhance the visual appeal of their projects. However, it's important to remember that when creating fonts, attention to detail and adherence to current design trends are essential to attracting audiences and ensuring demand for your work.

Font creators sometimes release test versions so designers can evaluate them, test installation, and verify functionality. This practice is relatively new, and such fonts can be characterized as shareware, since their use is usually accompanied by certain restrictions.

The Director of Paratype manages the strategic development and operational activities of the organization. He is responsible for the implementation of innovative solutions in the field of font design and typography. A key aspect of the director's job is coordinating the work of a team of professionals, ensuring high product quality and customer satisfaction. Paratype's director is also actively involved in the development of new fonts and typographic solutions, which helps strengthen the company's position in the market.

Font development always requires funding, and often this work is paid for by outside parties, including the studios themselves. For example, the PT Sans and PT Serif fonts were partially funded by Rospechat, with the remainder covered by our studio. We covered the entire cost of creating the PT Root UI Paratype font ourselves. Investments in fonts play an important role in design and typography, ensuring high quality and uniqueness of visual content.

Every font has its own unique history, and the Golos grotesque font is no exception. This font was developed for Smena for use on government websites. However, we subsequently decided to change this strategy. Together with Smena, we decided to distribute Golos for free, making it accessible to a wider audience. This decision has opened up new possibilities for designers and developers, who can now use this font in their projects without restrictions.

The Ambidexter font has become available free of charge thanks to designer Egor Belozerov. This font attracts attention with its unique aesthetic and is suitable for a variety of design projects, from web design to print products. The free version of Ambidexter allows users to use it in their work, making it a popular choice among designers and developers.

Shareware fonts

Many users mistakenly believe that pre-installed fonts on their computers are free. However, operating system developers provide these fonts exclusively for personal use. Using these fonts in commercial projects is a violation of the license agreement, which is usually contained in the EULA. When installing programs, users agree to these terms, which imply a ban on the commercial use of pre-installed fonts. To avoid legal repercussions, it is recommended to use fonts licensed for commercial use and consider purchasing or downloading fonts from reputable sources.

Fonts downloaded from the internet are often illegal. Even if they are labeled as shareware, such copies do not grant any rights to use. Using such fonts in commercial or public projects carries the risk of claims from the copyright holder. To avoid legal problems, it is recommended to use only licensed fonts. Licensed fonts provide the legal right to use and protection from potential lawsuits.

Rental Fonts

If you need a font not on a permanent basis, but for a specific project, you may want to consider renting it. This is a more cost-effective option. However, keep in mind that in this case, you will not receive the font file on your computer; instead, you will be using it in the cloud. After the rental period ends, access to the font will be terminated. Renting fonts allows you to flexibly manage design costs without sacrificing typography quality and variety.

Fontstand is a leading platform offering high-quality fonts for rent. It allows you to test any font style for three hours free of charge. The rental fee is 10% of the full font price, which is between four and nine euros per month. Paying for 12 months at once gives you unlimited use of the font. Fontstand makes a wide selection of fonts available to designers and developers, providing flexibility and savings when working with typography.

Rentafont is a specialized font rental service focused on Cyrillic. Rentafont's unique feature is the ability to rent fonts for short periods, starting from ten minutes. However, longer rentals become more cost-effective: weekly font rentals start at just $1.20. Website developers can benefit from an attractive payment model: instead of a temporary rental, users pay for the number of page views using the rented fonts. Rentafont is a convenient solution for designers and web developers seeking high-quality design for their projects.

When using rented fonts, please keep in mind certain limitations. These fonts cannot be used for logos, book and magazine printing, app development, or outdoor advertising. For such purposes, an appropriate license is required. This is important to comply with copyright and ensure the legal use of fonts in various projects.

Subscription Fonts

A font subscription is not the same as renting them. Font subscriptions work similarly to music streaming services: you pay a fixed monthly or annual fee and gain access to a vast collection of fonts. This allows designers and developers to use a variety of typographic solutions for their projects without having to purchase each license separately. A font subscription provides flexibility in choosing and updating fonts, which is especially important for professionals seeking to maintain a modern and unique style in their work. Adobe Fonts is one of the most popular services offering access to a wide variety of fonts for personal and commercial use. However, it's worth keeping in mind some limitations: fonts received through a subscription cannot be integrated into mobile apps. This service allows designers and developers to choose from a vast font library, greatly simplifying the process of creating a unique visual style. Using Adobe Fonts helps improve the perception of content and make projects more professional.

The Director of Paratype is responsible for strategic leadership and business development. He manages key areas of activity, including innovations in the field of font design and typography. Under his leadership, the company actively implements modern technologies and expands its product range. The Director also interacts with clients and partners, ensuring high quality of services and meeting user needs. Thanks to his experience and vision, Paratype is a leader in the font and typography market.

We are creating the Fontoscope app, which will allow users to subscribe to the Paratype font library. The PC version is currently in beta testing, and the Mac version is in development. This app will provide convenient access to a wide variety of fonts, significantly facilitating the work of designers and developers seeking to improve the visual appearance of their projects.

Font of the Month Club is a font subscription service founded by designer David Jonathan Ross. Each month, subscribers receive a unique font, which is a real surprise, as David does not reveal the next font in advance. A monthly subscription costs six dollars. What's especially convenient is that the fonts created by Ross can be used even after the subscription ends, making the offer attractive to designers and creative professionals.

The Director of Paratype is a key figure in determining the strategy and development of the business in the field of typography and font design. His experience and competencies contribute to the successful implementation of projects aimed at creating unique fonts and improving user experience. The Director actively collaborates with the design and development team, ensuring high-quality products and compliance with modern standards. Under his leadership, Paratype continues to strengthen its position in the market, introducing innovations and expanding the range of fonts for various needs and styles.

We are developing the Fontoscope application, which allows you to subscribe to the Paratype font library. Currently, the PC version is in beta testing, and the Mac version is in development. The application will provide users with convenient access to a variety of fonts, improving the process of working with text and design.

Main Types of Font Licenses

The classic font licensing scheme includes three main types: Desktop, Web, and App. This structure is the standard for many font studios and stores offering fonts for sale. Such platforms include type.today, Letterhead.store, Myfonts, and Fontshop. Each license has its own features and limitations, allowing users to choose the most appropriate option based on their needs and the purposes for which they are using the fonts.

This type of license allows you to install the font on your computer to develop design layouts using static graphics. This can include both raster and vector graphics intended for print or web design. Typically, the copyright holder grants permission to use the font not only for printed products, but also for other media, such as clothing. The cost of the license depends not on the print run, but on the number of computers on which the font will be installed.

Buyers of fonts under a desktop license typically receive files in the OTF format. This format provides high display quality and compatibility with various operating systems and design programs. OTF fonts are ideal for use in print, web design, and other graphic projects, making them a popular choice among designers and typographers.

Using a font with a Desktop license to create a logo depends on the specific terms set by font studios and shops. Some companies, such as type.today, charge no additional fees for using logo fonts, while Paratype requires a separate "Logo" license. These details are usually detailed in the license agreement, so it's important to carefully read the terms before using a font. This will help avoid legal issues and ensure the font is used correctly in your logo design.

A web design font license allows you to integrate fonts into your website's design. The license price depends on traffic, and different copyright holders may price it differently: some base the price on the number of page views, while others base it on the number of unique visitors. Choosing the right license is important for copyright compliance and ensuring a high-quality user experience on your website.

After purchasing a font, web designers often receive it in TTF, WOFF, WOFF2, or EOT formats. It's important to note that such fonts must be hosted on a server, as installing them on a computer is only possible with a Desktop license. Proper use of web fonts can improve the visual appeal of your website and contribute to its unique style, which is an important aspect of SEO optimization.

Fonts licensed under this license are permitted for use in mobile apps only.

The cost of app development varies depending on the number of apps. Paratype and Brownfox consider versions for multiple platforms, such as iOS and Android, to be a single app. However, in some cases, pricing may vary depending on the specifics of the project and the client's requirements.

Purchasers of fonts licensed under the App License typically receive files in TTF format. This font format ensures high display quality and compatibility with various operating systems and programs. TTF (TrueType Font) is one of the most popular font formats, providing flexibility for use on websites and in print media. Choosing a font in TTF format allows designers and developers to easily integrate it into their projects, while ensuring clarity and readability.

What other font licenses are there?

The choice of fonts depends on the purposes for which customers plan to use them. For example, Paratype offers not only the main three types of licenses, but also specialized options. These licenses cover the use of fonts in audiovisual works, logos, video games, and electronic publications such as magazines and books. Licenses for corporate use on a server are also available, allowing organizations to integrate fonts into their internal and external communications.

Brownfox font studio offers licenses for font use in various areas, including social media, printing, logo creation, outdoor and electronic advertising, and television broadcasting. We offer both server and service licenses, which are necessary for temporarily transferring the font to contractors, such as printing houses. Prices for all types of licenses vary depending on the terms of use.

The founder of Brownfox Studio, an expert in design and creative solutions, has created a team that focuses on developing unique visual concepts. Brownfox Studio offers a wide range of services, including graphic design, branding, and web development. We strive for innovation and quality, which allows us to meet our clients' needs and differentiate them from the competition. Our goal is to create harmonious and functional solutions that will effectively perform in the market. Setting a single price for all font uses can result in the cost being too high for most users. This can reduce the availability of the font and limit its use in various projects. The right approach is to create a flexible pricing model that takes into account the diversity of user needs and allows them to choose the most appropriate font use at a reasonable price. Modern font licensing systems ensure fair prices that take into account the volume of use. Large corporations that use fonts in various media and on large surfaces pay significantly higher license fees than small companies limited to a single sign and a few business cards. This approach to pricing is fair and takes into account the varying needs of users.

Modern license types help establish reasonable prices for new media formats. Previously, video licenses were only purchased by television channels, which made them expensive. Today, video has become accessible to a wider audience and is present on virtually every social media account. Therefore, we have developed a special license for social networks that allows for the use of fonts in videos at an affordable price. This opens up new opportunities for creative projects and promotes the development of content in the digital space.

The founder of Brownfox Studio is a key figure in the development of creative solutions in the field of design and marketing. Her experience and professionalism allow her to create unique projects that help clients stand out from the competition. Brownfox Studio offers a wide range of services, including web design, graphics, and branding, making it a reliable partner for businesses striving for success. The founder actively monitors new trends and implements innovative approaches, which contributes to the studio's ongoing growth and development. Setting a single price for all types of font use can result in a cost that is too high for most users. This approach fails to take into account the diverse needs and budgets of different clients, which can reduce the availability of the font in the market. To make the font more appealing to a wider audience, it is necessary to consider a flexible pricing policy that takes into account different levels of usage and user budgets. Modern font licensing systems ensure fair pricing based on the volume of use. Large corporations using fonts in various media and at a large scale pay significantly more compared to smaller companies limiting themselves to, for example, one sign and a hundred business cards. This licensing model is considered fair because it takes into account the real needs and capabilities of different users.

Modern media content licenses allow for more affordable pricing for new formats. Previously, video licenses were purchased exclusively by television channels, which made them expensive. Nowadays, video has become widely available and is present on almost every social media account. Therefore, we have developed a license specifically for social media, allowing font use in videos at a reasonable price.

What is a package license?

Package font licensing is a unique approach actively used by designers Ilya Ruderman and Yuri Ostromentsky in their store, Tomorrow, which specializes in the sale of experimental fonts. In this format, the license price is determined not only by the environment of use, but also by the scale, which includes the number of views and the number of employees using the font. This method allows for a more flexible approach to licensing, which is especially important for companies with varying font usage needs.

A minimal font pack optimizes web page loading, improving their performance. It includes only the fonts necessary to display the content, reducing loading times and reducing bandwidth consumption. Using a minimal font pack also improves text readability, allowing users to process information more quickly. In addition, this improves the overall user experience, which has a positive impact on the site's SEO positions, since search engines take into account loading speed and usability when ranking pages.

• Install the font on five computers to create a print layout;
• Design a social media account with this font that has fewer than 25,000 subscribers;
• Use the font in a video if the video has no more than 15,000 views;
• Embed the font in one mobile app or on a website with 15,000 unique visitors per month.

The price for a license for the CSTM Xprmntl 03 font, developed by Yuri Ostromentsky, is 2,800 rubles. This price includes a minimum license that grants access to a unique font design.

Co-founder of the Type.today platform and the Tomorrow project.

In 2019, when launching the Tomorrow platform, we collected opinions from graphic designers, users, and buyers. They noted that understanding font licenses is extremely difficult. In response to this request, we developed a convenient solution: package licensing. Now, designers purchasing a font receive all rights and formats with a single click. This significantly simplifies the process of purchasing and using fonts for our clients.

There are several packages for font use: test, minimum, medium, maximum, and custom. The custom package is designed for large clients who plan to use the font in custom and large-scale projects.

Purchasing packages becomes a simple and straightforward process. Once you understand their structure, you can easily see both the price and the possible uses. This system requires significantly fewer questions compared to the standard approach used in the type.today store. This makes the selection and purchasing process more convenient and efficient for the user.

Co-founder of Type.Today and Tomorrow. These platforms offer unique opportunities for users seeking high-quality fonts and modern typography solutions. Type.Today focuses on providing access to a variety of fonts, while Tomorrow creates innovative tools for designers and developers. Both projects are aimed at developing visual culture and making text easier to work with in the digital space.

In 2019, when we launched the tomorrow project, we collected feedback from graphic designers, users, and buyers. They noted that understanding font licenses was extremely difficult. In response, we developed a convenient solution—a package licensing method. Now, when purchasing a font, designers receive all rights and formats with a single click. This significantly simplifies the process, allowing them to focus on creative work rather than legal nuances.

Several packages are available: test, minimum, medium, maximum, and custom. The custom package is designed for large clients who plan to use the font in unique and custom projects.

Purchasing packages is quite simple. Once you understand how they work, you can easily see the cost and available options. This system raises significantly fewer questions than the traditional format used in the type.today store. This simplifies the selection and purchasing process, making it more convenient for users.

Does a design client need to purchase a font license?

The answer to this question cannot be straightforward, as it is necessary to study the license agreements of each specific font provider. Each font distributor sets its own terms of use, which may vary depending on the type of license. Therefore, it is important to carefully read these agreements to avoid copyright infringement and ensure the legal use of fonts in your projects.

Type.today does not require clients to purchase a license if the designer provides a layout converted to curves. However, if the client plans to use this font in their future projects, an appropriate license must be obtained.

The Tomorrow showcase employs a different concept: the client is considered a full user, even if they don't use font files, but only a unique design. Therefore, they must purchase an additional license package appropriate to the scale of their business. For small brands, a minimal package will suffice, while larger companies may benefit from medium or large license packages. This ensures optimal use of design assets based on business needs.

Paratype emphasizes the importance of font licensing for all parties involved, including clients. For example, if a client commissions a designer to create a book for sale, a Desktop license must be purchased by both the designer and the client. This ensures the legal use of fonts and protects the rights of their owners.

Brownfox Studio adheres to the principle that clients must purchase a font license, even if the designer provides a curved layout. This rule ensures copyright compliance and guarantees the legal use of fonts in the project. Proper font licensing is an important aspect of the work of designers and clients, which helps maintain professional standards in the field of graphic design.

The founder of Brownfox studio is a key figure in the world of creative solutions. Her experience and vision contributed to the creation of a unique platform where innovative projects in the field of design and marketing are implemented. Brownfox offers a wide range of services, including brand development, graphic design, and digital strategy, enabling clients to stand out from the competition. Focusing on quality and originality, the studio's founder brings a personal touch to each project, making Brownfox a sought-after business partner.

The law protects fonts as both graphic works and computer software. A designer uses a font as a program by installing it on a computer's operating system. A designer's client has the right to use the font in their projects, but it is important to consider the licensing terms to avoid copyright infringement. Proper use of fonts contributes to the creation of a unique visual style and ensures legality in commercial activities.

• as graphics only, if receiving a curved layout;
• as both graphics and software, if receiving a font as a file.

Fonts require licensing regardless of how they are used. For designers working with fonts, a desktop license is sufficient for most tasks. However, a designer's client may require different types of licenses depending on the specific use of the font, such as web design, print, or mobile apps. Choosing the right license ensures legal use of fonts and protects the interests of both designers and their clients.

In recent years, there has been growing user interest in responsible font licensing. This trend continues to gain popularity, and license requests are becoming more informed and detailed. Users want not only high-quality fonts but also understand the terms of their use, which promotes a more transparent and legal approach to design.

Licenses for designers should be free, since the results of their work, including fonts, are used by clients, not the designers themselves. For example, a designer does not pay for the paper on which their layout is printed. Their expenses are limited to the computer and graphics editor, which they retain. Therefore, it is only fair that licenses for fonts and other assets should be available at no additional cost to designers so they can focus on their creativity and serving their clients.

The world is not yet ready for free licenses for designers. This requires that every end user of a font, including clients, have their own license. It is important that everyone understands the need for such licenses. This will ensure the protection of designers' rights and create a more sustainable ecosystem in the graphic design industry.

How do studios track who has used their fonts?

If a designer uses a stolen font for personal purposes, such as a letter to a friend, the copyright holder will likely not know about it. However, if such a font is used in a commercial project, such as a book intended for sale, a conflict with the developer or studio will be inevitable. Using unlicensed fonts in commercial projects can lead to legal consequences and financial losses, so it is important to respect copyright and use only legally acquired fonts.

The Director of Paratype manages key aspects of the business, providing effective leadership and strategic development. He is responsible for making important decisions that impact the growth and competitiveness of the company in the typography market. Under his leadership, Paratype continues to develop innovative technologies and high-quality fonts that meet customer needs. The director also shapes the corporate culture and values, fostering a cohesive team of professionals. Importantly, the director's successful leadership is the key to Paratype's stability and prosperity.

Font piracy is controlled by our partner, Logard. Their employees monitor websites, printed materials, and signs, verifying that those using our fonts are licensed. If a license is not available, they contact the companies that have infringed copyright. Often these companies justify themselves by saying that their designer did not notify them of the need to purchase a license.

Co-founder of the Type.Today platform and the Tomorrow project.

We strongly recommend website developers to indicate the authors of the fonts in the code. When we discover websites using our fonts, we check the code and, seeing a reference to us, we're confident the font is being used correctly. If the designer includes this information in the code, we receive it and can confirm the correct use of the font.

We carefully monitor the use of our fonts not only to identify copyright infringers but also to obtain feedback. Font developers rarely receive feedback—let alone thanks or comments. The only way to confirm the quality of our font is to see it in interesting and creative projects. We regularly seek out such work and are often surprised by the creative ways designers use our font, while simultaneously verifying the license for its use. This allows us to understand how our fonts impact visual design and style, and to maintain high design quality standards.

The Director of Paratype is responsible for the strategic direction and management of the organization. He coordinates all business processes, ensures effective interaction between departments and makes key decisions aimed at the company's development. Paratype's CEO also plays a key role in shaping the company's culture and implementing innovative solutions, which contributes to increased competitiveness in the market. Under his leadership, the company continues to expand its capabilities, improve the quality of its products and services, and strengthen its position in the typography industry.

Pirated font use is monitored by our partner company, Logard. The company's employees regularly check websites, printed materials, and signs for licenses for the fonts used. If unlicensed font use is detected, they contact the violators. Often, such companies claim that the designer did not inform them about the need to purchase a license.

Co-founder of the type.today and tomorrow projects. These platforms focus on modern trends in typography and design, offering users access to unique fonts and tools for their creation. Working on these projects allows us to develop creative ideas and introduce innovations in visual design.

We strongly encourage website developers to attribute font authors in the code. When we discover websites using our fonts, we check the code and, seeing a mention of us, we can be sure the font is being used correctly. If a designer includes such information in the code, we will be notified.

We carefully monitor the use of our fonts to protect copyright and prevent their unauthorized use. Font developers often receive little feedback—not only thanks, but also comments on the quality of their work. The only way to be sure of the demand for our font is to see it used in outstanding projects. We regularly research such work and are amazed by the creative solutions of designers who use our fonts, while also checking that their use is licensed.

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