Design

The Silk Road to Khrushchev-era apartments: Why the USSR became a country of carpets

The Silk Road to Khrushchev-era apartments: Why the USSR became a country of carpets

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A carpet is a sign of wealth

In 1949, during excavations of the Fifth Pazyryk burial mound in Altai, archaeologists discovered a unique woolen carpet in a wealthy burial. This carpet was found on a horse buried with its noble owner. At that time, carpets were used as bedding on the backs of animals instead of saddles, which emphasizes their importance in the culture and everyday life of ancient peoples. The discovery of this carpet was a significant contribution to the study of the history and art of the peoples inhabiting Altai.

Scientists are still debating which culture created this carpet—Armenian, Persian, or Central Asian. Its origin dates back to the 4th–3rd centuries BC, making it an outstanding object of historical and cultural heritage. Currently held in the Hermitage collection, the carpet is the oldest known in the world.

The Pazyryk artifact and its study confirm the high value of carpets, which were made from brightly colored wool in various regions of Eurasia. These carpets were used by nomads and were an important element of their culture. Urartian, Median, Parthian, and Scythian carpets have been widely distributed throughout the inhabited world since ancient times, testifying to a rich heritage of textile art and cultural exchange. Research shows that carpets not only served practical purposes but were also a symbol of status and craftsmanship.

The main route along which carpets traveled from one part of the world to another for centuries was the Silk Road. This ancient trade route connected various peoples and facilitated the exchange of cultures, goods, beliefs, technologies, and customs, as well as influence on design codes. The Silk Road not only ensured the transportation of carpets but also contributed to their diversity, reflecting the traditions and styles of different regions.

The Silk Road existed from the 2nd century BC. It fell into decline in the 15th century. Image: Kaidor / Wikimedia Commons

Hand-woven carpet weaving is an art that requires significant time and financial investment, and colored woolen carpets have always been highly prized by people of all income levels. Since ancient times, the presence of such carpets has symbolized the wealth and status of their owner. Each hand-woven carpet not only decorates the interior but is also a work of art reflecting the culture and traditions of its time. Interest in hand-woven carpet weaving continues today, underscoring its significance in the modern world.

Carpets were valued not only for their aesthetic beauty, but also for the deep sacred meaning contained in their designs. Often, these patterns symbolized affiliation with a particular religion or belief, which gave the products additional significance. Carpets served not only as protection from cold and heat, but also as a guard against negative forces. They were given as a dowry and used as political gestures to strengthen relations between people and nations.

Klavdy Lebedev, "Boyar Wedding". Carpets are laid out on the floors for the guests of honor and the groom. Image: State Tretyakov Gallery.

In the early 1600s, the Savonnerie carpet factory was founded in France. This event was an important step, as the import of carpets from India, Central Asia, and Asia Minor negatively impacted the country's economy. The creation of its own factory not only improved the economic situation but also developed local carpet production, which contributed to the growth of demand for French textiles. Savonnerie carpets became a symbol of high quality and craftsmanship, which helped strengthen France's position in the carpet market.

French carpets borrowed Turkish techniques and patterns, which became the basis of their unique style. Since France embodied aristocratic fashion, this style quickly gained popularity in Europe. It decorated the interiors of nobles, merchants, high-class artisans and high-status courtesans, as well as anyone who could afford luxurious carpets. As a result, French carpets became a symbol of status and sophistication, cementing their reputation in the worlds of art and interior design.

Pavel Fedotov, "An Aristocrat's Breakfast" Image: State Tretyakov Gallery
S. Tolstoy, "Bachelor's Room" (Interior of a Man's Living Room) Image: Cooper Hewitt, Smithsonian Design Museum / Google Arts and Culture

Hand-woven wool and silk carpets from Iran and the Caucasus remain highly prized works of art. Their high value is due not only to the craftsmanship but also to their durability. In antique shops, you can find examples that are 200-300 years old, and they are still in excellent condition. Such carpets not only decorate the interior, but also serve as a legacy of the cultural wealth of these regions.

On the left is an 18th-century Caucasian carpet, priced at $49,000. On the right is a Persian carpet from Isfahan, early 20th century, $35,000 Photo: 1st Dibs / 1st Dibs
New Persian carpet Screenshot: kover.ru / Skillbox Media

The patterns on traditional carpets have deep meaning and are never are random. Every detail carries meaning, and the overall design tells a story. The art of carpet weaving lies in the fact that these patterns attract attention, encourage careful study, and allow you to create your own imaginary worlds, even if you're unfamiliar with the language of hidden images. This unique approach to carpet design makes them not only an interior element but also carriers of cultural memory and tradition.

  • Persian carpets are a "model" of earthly paradise: flowers and trees are woven into heavenly gardens, and the fruits symbolize and invite prosperity.
  • Medallions in the center of the carpets represent the sun and a talisman against the evil eye.
  • The geometric patterns of Armenian, Dagestani, and Turkmen carpets contain encoded symbols of protection from evil.
  • The symmetry of the elements on the carpet and strict borders are a reflection of world harmony and the desire for order.
  • On oriental carpets, the images of animals and people are schematic and close to abstract, because in the Muslim tradition there is a certain ban on their exact depiction.

A wool rug with flowers, borders, and a medallion takes center stage in the Coen brothers' film "The Big Lebowski." This rug sets the tone for the entire room, and a series of absurd and random events unfold around the main character, the Dude,'s quest to restore justice for the ruined rug. The rug not only symbolizes comfort and style but also becomes a catalyst for comedic situations, emphasizing the uniqueness of the plot.

In this film, the rug acts as a symbol of wealth. Lebowski finds happiness in simple things. For a full life, he needs only his friends, a music player, a "White Russian," and, of course, a rug. This piece not only decorates his space, but also reflects his values, showing that true wealth lies not in material goods, but in relationships and the enjoyment of simple pleasures.

Still: The Big Lebowski / Working Title Films / Microsoft Store

How was it historically used

Carpets were traditionally used not only for flooring but also, in various formats, served utilitarian and decorative functions. They could emphasize the owner's status or signify specific events and situations. Carpets have become an important element of interiors, adding style and comfort. Their variety of shapes, materials, and patterns allows for the perfect option for any room, creating harmony and comfort in the space.

In the European artistic tradition, still lifes often depict tables covered with carpets rather than textile tablecloths. In Baroque vanitas still lifes, oriental carpets, along with fruit and candles, served as a reminder of the transience of life and the fleeting nature of material pleasures. These elements not only emphasized the aesthetic value of the work but also deepened the philosophical concept, forcing the viewer to reflect on the value of time and material goods. Carpets in such still lifes become a symbol of luxury and at the same time a reminder of the temporariness of all earthly joys.

Abraham van Beijeren, "Banquet Still Life" Image: Hohenbuchau Collection / The Princely Collections
Carpets were used to cover royal thrones and simply home seats in both Europe and Asia. This photo shows a traditional Indian charpoy bench. Photo: Design Innovation and Craft Resource Centre / CEPT University / Google Arts and Culture

Carpets on walls have a long history and are used for various purposes. They serve as soundproofing, help in insulating rooms, and also protect valuable items from damage. Carpets on the walls demonstrate the status and cultural level of the owners, emphasizing their wealth. This practice arose long before the appearance of Khrushchev-era apartment buildings in the mid-20th century and remains relevant to this day. Properly selected carpets can add comfort and style to any interior, as well as improve the acoustics of the room.

  • Carpets with sacred symbols, images of sacred scenes, and, for example, religious messages encoded in the ornament were hung on the walls to prevent them from being trampled. Carpets on the walls also served as a colorful background for other valuables, such as weapons.
  • Carpets were used to cover passages between halls and rooms to hide them or keep the room warm.
  • Hanging carpets were used to zone spaces.
Still: film "The Favourite" / Searchlight Pictures / Disney+

Carpet fashion in pre-revolutionary Russia and the USSR

Before the revolution, carpets occupied an important place in the interior, considered a traditional and durable element of decor. Transcaucasia and Turkestan, being ancient centers of carpet weaving, were part of the Russian Empire, which contributed to the spread of carpets throughout the country. They were widely used in public spaces, as well as in the homes of the aristocracy, merchants, and intellectuals. Carpets not only served as decoration but also reflected cultural traditions, weaving skill, and the wealth of the region, making them an indispensable element in interior design. Textile production flourished in Central Russia, particularly in the Kursk province. Successful factories producing unique carpets were located here. These carpets differed from their Asian and Caucasian counterparts in their vibrant colors and large patterns on a blue background. Carpets from Kursk factories became a symbol of local craftsmanship and attracted the attention of both domestic and international buyers. Carpets were valuable possessions, carefully preserved and passed down from generation to generation. They were not only interior items but also symbols of family traditions and historical value. Preservation of carpets became an important part of cultural heritage, which emphasized their significance in people's lives.

Market square in front of the Shah Abbas caravanserai. Azerbaijan, 1870 Photo: Russian Museum of Ethnography / Pastvu
On the left is F. M. Dostoevsky's office with a sofa and carpet, photographed in 1881. On the right is the bedroom in the house of N. Ureshev, the manager of a cement plant in the village of Filkino in the Bogoslovsky Mining District. The photograph was taken between 1895 and 1897. There are carpets on the floors and a tapestry on the wall. Photo: F. M. Dostoevsky Literary and Memorial Museum / N. Ureshev / MAMM / MDF / "History of Russia in Photographs"

In the late 19th and early 20th centuries, carpets became popular in the Russian Empire. This interest was driven by global trends associated with Eastern culture, ornamentation, and craftsmanship. These characteristics attracted attention and created an atmosphere of mystery and magic, which later became the basis for the Art Nouveau style. Carpets of that time reflected not only aesthetic preferences, but also the cultural changes taking place in society.

On the left is the Russian stand with items from the ethnographic collection of the Emir of Bukhara at the 1900 World's Fair. On the right is an American advertisement for General Electric, 1908–1912. Photo: MAMM / MDF / “History of Russia in Photographs” / General Electric / Museum of Innovation & Science / Google Arts and Culture.

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Art Nouveau is the last significant style in art and architecture, which emerged in the late 19th and early 20th centuries. It was a response to the rapid development of technology and changes in society, reflecting a desire for novelty and individuality. Art Nouveau is characterized by fluid, organic forms, asymmetrical compositions, and the use of new materials such as glass and metal. Unlike previous styles, Art Nouveau emphasizes harmony with nature and a desire for aesthetics, making it unique in the art world. This style has had a profound influence on architecture, interior design, and graphics, leaving behind many famous works and buildings that continue to inspire modern art. Art Nouveau marked an important stage in the evolution of artistic thought, opening new horizons for future directions.

In the pre-revolutionary years, carpets with oriental motifs served as an important element of the Symbolist style, reflecting the artistic and cultural trends of the time. However, after the revolution, their meaning changed, and they came to personify everyday difficulties and social problems. Carpets, previously associated with aesthetics and art, now reminded of everyday concerns and changes in the life of society.

As a result of increasing housing density and the emergence of communal apartments, rooms began to be isolated with carpets. Also, doors through which previous owners used to pass began to be hidden behind these carpets.

A meeting of former Russian officers. A carpet covers the door, and a portrait of the last emperor is attached to it. Photo: MAMM / MDF / "History of Russia in Photographs"

Carpets have long remained a significant element of interior design, emphasizing their status and prestige. In the halls where the new nomenklatura held meetings, carpets were laid, on which delegates gathered for group portraits. This tradition continued in the 1890s and 1900s. Carpets were also present in the converted palaces that became sanatoriums for workers, and in houses created as part of the new organization of everyday life. Thus, carpets continue to embody not only aesthetic value but also social status, playing an important role in shaping the image of both public and private spaces.

The Narkomfin Building between 1930 and 1940. Residential unit of People's Commissar MilyutinPhoto: The Charnel-House

Reading is an important aspect of our lives, which not only enriches knowledge but also develops thinking. By immersing ourselves in books, articles or blogs, we discover new ideas and perspectives. In today's information-saturated world, it is important to choose quality sources to receive reliable data and inspiration. Regular reading improves concentration and memory, and expands vocabulary. Furthermore, reading fiction develops empathy and an understanding of human nature. In the digital age, access to materials has become easier, creating opportunities for self-improvement and personal growth. Read and develop, discovering a world of knowledge and emotions.

Narkomfin Building: The Fate of an Architectural Utopia

The Narkomfin Building, built in 1928, became a symbol of Soviet architectural utopia. This unique project, designed by architect Moisei Ginzburg, embodied the ideas of functionalism and collectivism, becoming an example of a new approach to urban development.

Over time, the building has experienced various stages: from its heyday during the Soviet era to desolation in the post-Soviet period. In recent years, interest in the Narkomfin Building has increased due to its historical significance and unique architecture. Restoration work is underway, and the building is once again attracting the attention of researchers and architects.

Today, the Narkomfin Building is an important cultural heritage site. It serves as an example of how architecture can reflect social and cultural changes, as well as inspire new generations of designers and architects. Restoring and preserving its historical value is an important task for future generations.

Despite the introduction of a new proletarian ideology, the carpet continued to occupy an important place in the lives of Soviet people, remaining a symbol of prosperity. Like carpets in the palaces of the Venetian doges, this interior item in apartments, communal rooms, and barracks served as an indicator of the owners' success in life. Carpets became not only a decorative element but also an important marker of social status, emphasizing the desire for a comfortable and aesthetically pleasing environment in the conditions of Soviet reality.

Soviet carpets became more accessible to a wider audience. Even traditional Dagestani, Azerbaijani, and Armenian carpets were mass-produced in large factories. Machine knitting and synthetic fibres were used extensively in this process, which reduced costs and made them accessible to consumers. Such changes have led to the popularization of carpets as an element of home interior design, while maintaining elements of traditional design and cultural heritage.

A lumberjack with his family at home, 1966 Photo: Dean Conger / Corbis / Getty Images

The widespread use of carpets in the interiors of ordinary people began in The 1960s, when Khrushchev-era apartment buildings were being actively built in the Soviet Union, were a time of rapid growth. This period was supposed to solve the housing shortage, but the quality of construction left much to be desired: the walls were thin and uneven, and the finishing was simple and cheap. Carpets became an important interior element, allowing Soviet citizens to achieve several goals at once: improving soundproofing, enhancing thermal insulation, and adding aesthetic appeal to their homes. These textiles not only provided comfort but also served as a way of self-expression in the face of limited choice.

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Design History in the 1960s and 1970s: Industry and Architecture

Design in the 1960s and 1970s became an important factor in the development of industry and architecture. This period was marked by significant changes in approaches to design and production. Rising consumer demand and the pursuit of functionality led to the creation of new forms and materials, which had a profound impact on industrial design.

Architecture was undergoing revolutionary changes. Architects began to implement innovative technologies and experiment with new building materials. This contributed to the creation of unique buildings that combined both aesthetic appeal and functionality. The iconic projects of this time reflected the spirit of the era and the desire for change.

Industrial design also underwent significant transformations. Designers began to pay more attention to ergonomics and user experience, which contributed to the creation of more convenient and practical products. Aesthetics became an important aspect influencing product selection, and mass production opened up new horizons for designers.

Thus, the 1960s and 1970s became an era when design actively influenced industry and architecture, shaping new standards and approaches to creating objects that remain relevant today.

Visual differentiation of status in the interior has always played an important role. For example, high-quality wool carpets were not only expensive but also in short supply. The presence of such a carpet in the home indicated the owner's proximity to the source of wealth. Synthetic carpets, although less expensive, remained quite expensive, making them more accessible to a wider audience.

Family and holiday photos were often taken against a backdrop of carpets, making them a symbol of warmth and comfort for several generations of Soviet and post-Soviet people. Carpets became an important visual association with childhood, home comfort, and the simplicity of life. This tradition emphasizes the importance of carpets in everyday life, where they not only decorated interiors but also created an atmosphere of trust and closeness in family relationships.

Image: Zoya Dementyeva / Behance
Frame: film “Bury me behind the plinth” / “Globus Studio”
An untouched interior in an apartment located in a former socialist country. Poland, Gdansk, 2019. Photo: Michal Fludra / NurPhoto / Getty Images

In the 1990s, carpets on walls and floors were common and remained a popular decorative element. However, starting in the early 2000s, they gradually fell out of fashion. The rise of glossy magazines, the advent of the internet, a significant increase in imports, the active development of tourism, and the influence of brands such as IKEA demonstrated new approaches to interior design to a wider audience. These changes have contributed to the formation of modern trends, where the emphasis has shifted to minimalism, functionality, and the use of more modern materials and textures.

Carpets, originally associated with wealth and luxury, gradually lost their reputation and became a symbol of poverty. In modern society, there is a tendency for them to disappear from interiors, which reflects changes in the perception of material values ​​​​and status.

Rug Fashion in the 2020s

In 20 years, we will be able to re-immerse ourselves in visual culture, commercial design, and creative projects. It is important to stay abreast of changes and trends to ensure relevance and competitiveness in these areas. By exploring new approaches and technologies, we can create unique solutions that will meet the needs of modern society. Visual culture and commercial design continue to evolve, and our ability to adapt to these changes will be key to a successful future in the creative industries.

One of the key trends in graphic and interior design in the 2020s has been nostalgia. This desire to revisit a "good" past has emerged and intensified against a backdrop of global social and economic unrest and an uncertain future. At the same time, popular culture is beginning to actively embrace Eastern Europe: the concept of "Slavic core" is gaining popularity, Western musicians are filming music videos in the former Soviet republics, and videos illustrating the mentality of the region known as "Potato Europe" are circulating on social media. These elements of nostalgia and cultural reinterpretation are reflected in contemporary design, creating unique visual solutions that attract attention and evoke emotions.

A miniature of the artist's grandparents' Khrushchev-era apartment, which she created for an exhibition in Rotterdam. Photo: Toma Gerzha / Behance

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Design trends: their emergence and disappearance

Design is a dynamic field in which trends are constantly changing. Each new trend appears in response to changes in society, technology, and cultural phenomena. Historically, trends can arise as a reaction to previous styles, which allows for the creation of new visual languages ​​and solutions.

Modern technologies, such as artificial intelligence and virtual reality, also influence the formation of design trends. They open up new opportunities for creativity and innovation, which contributes to the emergence of unique design approaches.

However, trends are not eternal. Over time, they can lose their relevance, giving way to new ideas and concepts. This occurs due to market saturation, changing consumer preferences, and the emergence of new technologies.

Keeping up with current design trends is important not only for professionals but also for amateurs striving to create modern and attractive projects. Understanding how and why trends emerge and disappear helps designers stay one step ahead and adapt their work to changing conditions.

Rugs on walls have become a reliable way to create a nostalgic atmosphere and add warmth to an interior. With a thousand-year history of using carpets in design, they have regained popularity in the 2020s, particularly in the form of Khrushchev-era designs, which were previously considered outdated and discarded as unnecessary items. In modern interiors, wall-mounted rugs not only enliven the space but also create a cozy atmosphere, bringing back into fashion elements that give the design individuality and character.

Image: Sasha Multan / Behance
Image: Svetlana Sha / Behance
Photo: “House of Cultures”
Photo: "Bureau Pravda"
Photo: Sela

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